Salt City Hoops » Kevin O’Conner The ESPN TrueHoop Utah Jazz Site Mon, 15 Sep 2014 13:41:42 +0000 en-US hourly 1 The ESPN TrueHoop Utah Jazz Site Salt City Hoops no The ESPN TrueHoop Utah Jazz Site Salt City Hoops » Kevin O’Conner Two Questions for the Front Office Thu, 31 Mar 2011 02:59:28 +0000 Author information
Jeff Lind
I don’t know how I missed this article the first time around (apparently need to update my reader), but NBA Confidential did a pretty awesome post on How Deron Williams Could Have Gone to New York Instead of New Jersey. It was linked in the TrueHoop bullets yesterday, and a lot of what was written struck a nerve. Not from an “I disagree with this” standpoint, but more from a perspective of disbelief.

Just when I’m coming to terms with this whole disaster that is the Utah Jazz’ 2011 season, Sam Amick (the blog’s author) has a Q&A with Kevin O’Conner that raises more questions for me than provides answers. Here are two questions that I would ask O’Conner after reading this article:

Jim Urquhart / AP

Question 1) How do the Jazz let Sloan walk KNOWING that you’re trying to trade D-Will?

Some quick facts:

Amick asks when O’Conner started strategically looking at the D-Will trade, and O’Conner says, “I’ve been looking at it for a while.” A while? A WHILE? something doesn’t add up here. If you’ve known that you’re going to trade Williams for “a while,” how do justify letting Jerry Sloan walk? I know you say that you tried to talk him into staying (the morning after the true firing/quiting altercation began), but Sloan left because there was some kind of irreconcilable difference between he and the organization. It’s my belief that a large part of that differences was regarding Sloan and Williams’ rocky  relationship. I’m not saying that either party was right or wrong, but it’s pretty clear that the point of friction in the departure was Williams and Sloan. It came to a point where one or the other had to go because the couldn’t coexist. That’s a tough pill to swallow for Jazz fans, and I’m not saying that you can’t lose one… at that point, you probably HAD to lose one of them, HOWEVER, you can’t lose both of these pieces in the same year. If you were going to get rid of Sloan, then keep Williams. If you’re going to get rid of Williams, then keep Sloan. This town may not be big enough for the both of them, but it was certainly big enough for one or the other.

O’Conner claimed to have been in the market for trading Williams for “a while” yet he still lost Jerry Sloan over it. At worst there was some scheming here by the Jazz GM to oust both of these personalities, and at best the situation was grossly mismanaged.

Question 2) When you decide to trade your all-star, shouldn’t YOU be making the calls?

Amick asks O’Conner why other execs felt slighted by their lack of knowledge on the Williams trade, and O’Conner says “Anybody who called me I talked to them about it.” Okay, that’s great, but how much calling did O’Conner do himself? He makes it sound as if he just watched Denver do its shopping and then took the second best deal left when all dust had settled. I don’t hate the trade (especially with how poorly the Nets and Jazz have ended up playing), but this exchange makes me wonder if O’Conner could, in fact, have done better. I’m not the GM of any franchise, but I know that if I’m trying to sell something of value, I want as broad an audience as possible. Especially if the item I’m selling is one of a kind. Instead, the Jazz went into stealth mode and took the scraps from a division rivals’ broken process.

I’m excited for the future of the Jazz. I like the pieces we have, and I like the opportunity that this draft presents, but I’d like our chances a lot more if I felt comfortable with the leadership of the front office. The frustrating thing is that I DID trust them until this Sloan ordeal went down. The Williams trade, while not horrible, has just added fuel to that fire of skepticism. I want to believe in this franchise, but when I read articles like this and watch a season with so much promise go up in flames, it makes that difficult.

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Author information

Jeff Lind
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